Issue 3/2010
Contemporary art’s right-wing periphery? There is an unspoken consensus that contemporary art can to a large extent be ascribed to the left-wing or leftist-liberal end of the political spectrum. Although party-political attempts to instrumentalise art have become more circumspect recently, there does still appear to be a tacit agreement that art serves to foster an enlightened society. Or, in as much as it does not de facto do this, art at least offers the prospect of a more open society with scope for changes. What is happening on the right-wing peripheries of the political spectrum? What about those ideologies which set store by upholding traditional values and notions of order rather than focusing on the call for democratisation, for more equality and justice? Parties to the right of the political spectrum have begun to enjoy an alarmi... » read more
Beharrliche Dissonanzen
Julia Gwendolyn Schneider
See-Shoot-Cry
Amir Vodka
Sound als Waffe
Christian Höller
Am Anfang war die Schrift
Charlotte Bank
Revolutionär sein – oder nicht sein
Cédric Vincent
Postmedialer Arbeitsalltag
Franz Thalmair
Some preliminary conjunctural thoughts on countercultures
Lawrence Grossberg
Vyacheslav Akhunov Werke 1974-1991
Text: What, How and for Whom/WHW
The Unavoidable Question of Nationalism
Edit András
Die heimliche Moderne
Peter Friedl
The New Killer
Fadi Toufiq
Der 4. September 2009
Jochen Becker
Den Kanal wechseln
Christian Höller
Interferenzen und Störgeräusche
Manuela Ammer
Die Hamburger Künstlerin Annette Wehrmann ist gestorben
Christoph Schäfer
»Who knows tomorrow«
Dierk Schmidt
»was draußen wartet«
Vera Tollmann
Over the Counter
Sándor Hornyik
Darcy Lange
Walter Seidl
Triennale Linz 1.0 – Gegenwartskunst in Österreich
Franz Thalmair
MPA »I Will Use This Platform«
Cynthia Chris
»Les Promesses du passé. Une histoire discontinue de l’art dans l’ex-Europe de l’Est«
Mari Laanemets
A Cidade Do Homem Nu / The Nude Man’s City
Dieter Roelstraete
»Territorien des In/Humanen«
Petra Löffler
»Hinter der Vierten Wand. Fiktive Leben – Gelebte Fiktionen«
Christa Benzer
»Blumen für Kim il Sung«
Erich Klein
KwieKulik
»Form is a Fact of Society«
Karol Sienkiewicz
Arjun Appadurai:
Die Geographie des Zorns
Peter Kunitzy
Gabriela Switek (Hg.):
Avant-garde in the Bloc
Naoko Kaltschmidt
Joe Sacco:
Footnotes in Gaza
Martin Reiterer
Julie Ault (Hg.):
Show and Tell: A Chronicle of Group Material
Christian Höller
Angela McRobbie:
Top Girls
Jens Kastner