Issue 1/2020
Dear readers, what you have in front of you is the hundredth issue of this magazine, which was founded a quarter of a century ago. Although this may well be a good reason to celebrate, we would like at the same time to mark the occasion by engaging in broader reflections: What constitutes a magazine's identity? What holds together a magazine as a multipartite, often heterogeneous corpus, especially over such a long period of time? What gives rise to its singularity and distinctive character? Over and above the look of the magazine, which has been repeatedly fine-tuned over the years, there is one parameter that really should be mentioned in this context: the magazine as an interface, even a dynamic area of overlap between the most diverse discourses and approaches. However united and visually compact springerin appears in how it presents t... » read more
Machine Learning as Counter-Forensics
About Triple-Chaser by Forensic Architecture
Julia Gwendolyn Schneider
„It’s actually becoming a little unsustainable“
Interview with Paolo Cirio
Tilman Baumgärtel
Subversive Delirium
On Cyprien Gaillard’s Ocean II Ocean
Vera Tollmann
Ok, Deller
About Jeremy Deller’s Documentary Everybody in the Place
Raphael Dillhof
Lethal System
About the exhibition Game of Drones
Roland Schöny
Transindividuality and Difference
On Aporias of Intersectionality
Suzana Milevska
Thwarted Care
On Techno-Eco-Feminism and „Intersectional Assemblages“
Yvonne Volkart
Nilbar Güres
Image Gallery
Hello, End of the World!
Identity as Crisis and Symptom
Hans-Christian Dany
Vomite ergo sum!
Image Gallery
Emilia Rigova
Identity – A Pivotal Player of the Team „Metadata“ in the Art League
Süreyyya Evren
Generating New and Unexpected Meanings
An Exhibition about the History of Portuguese Speaking Countries in Africa
Su-Ran Sichling
Interwoven Perspectives
Ethnology and the Colonial Dialectic in two Exhibitions about Julius Lips and Hubert Fichte
Madeleine Bernstorff
Shifts in the Performance of Identity
Zulus and Black Indians in Tremé
Cornelia Kogoj, Christian Kravagna
Postapocapitalist – Eine Ausstellung von Miklós Mécs, Miklós Mécs, Miklós Mécs und Miklós Mécs (+ Judit Fischer und der AMBPA)
Miklós Erhardt
respektive Peter Weibel
Günther Holler-Schuster
Na Rajone/Jenseits des Zentrums
Christa Benzer
Senga Nengudi – Topologien
Lisa Britzger
Sleeping with a Vengeance, Dreaming of a Life. Mit Nachdruck schlafen, von einem Leben träumen
Marlene Rigler
Never Again. Art against War and Fascism in the 20th and 21st Centuries
Aleksei Borisionok
Japan Unlimited
Carola Platzek
Curated_by 2019 – Florian Pumhösl
Kristian Vistrup Madsen
Alfred Schmeller. Das Museum als Unruheherd
Kathrin Heinrich
United by AIDS. An Exhibition about Loss, Remembrance, Activism and Art in Response to HIV/AIDS
Sønke Gau
Seraina Renz:
Kunst als Entscheidung
Daniel Berndt
Matthew Fuller/Olga Goriunova:
Bleak Joys
Christian Höller
Martina Griesser-Stermscheg/ Sebastian Hackenschmidt (Hg.):
Bunt, sozial, brutal
Patricia Grzonka
Oliver Marchart:
Conflictual Aesthetics
Martin Krenn