Issue 1/2023


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For a long time, the primacy of vision and the visual represented an unquestioned basic assumption in the world of art. Admittedly, there was repeated criticism of “ocularcentrism” or, more generally, of the establishment of the Western worldview on the basis of unconscious-optical coordinates. But this questioning of the priority of the visual, especially as far as broader cultural contexts were concerned, never really seemed to be consistently advanced. Rarely, too, has the fundamental receptivity that inevitably constitutes any understanding of art and culture been attempted to be traced back to a sensory basis other than that of vision. Reason enough to ask about the conditions, if not the necessity, of an “art of listening”. After all, many cultural conflicts of the present day prove that people are simply no longer listening. Social ... » read more

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Vom Nichthumanen lernen
Christa Benzer

Half Duck, Half Sierra
Martin Conrads

„Gegen die Möglichkeit, der Realität einen Sinn zu geben“
Sabine Weier

Tauchgang im fluiden Anderen
Christian Höller

Maritime Texturen
Ellen Wagner

 

Listen


Wenn Brunnen sich blutrot färben
Zusammengestellt und bearbeitet von Hannah Jacobi

tones for summoning UND red status alert
Eine Kollaboration von Natascha Sadr Haghighian und Shirin Mohammad

„Emanzipatorisches Hören ist nicht individuell, sondern kollektiv“
Nina Sun Eidsheim

para-listening (2018–2023)
Ricarda Denzer

Die Politik der Schwingung
Marcus Boon

Wer hat Angst vor Klang?
Salomé Voegelin

Kunst des Zuhörens
Pascal Jurt

Methoden der Unterwanderung von Kunst und Kultur in Putins Russland
Keti Chukhrov

 

Artscribe



Max L. Feldman

Rosemarie Trockel
Patricia Grzonka

Heinrich Dunst sink UND on affairs
Rahma Khazam

Anna Jermolaewa – Number Two
Milena Dimitrova

16. Lyon Biennale: Manifesto of Fragility
Hedwig Saxenhuber

Kudzanai Chiurai/Frida Orupabo/Eric Magassa - FLIGHT
Simona Dumitriu

Je Veux, Vienna 1975–2022
Christian Egger

Sanja Ivekovic. Works of Heart (1974–2022)
Ada Karlbauer

TOGETHER THE PARTS – ein künstlerisch-performatives Gathering
Krassimira Kruschkova

 

Books


Stefanie Kitzberger/Cosima Rainer/Linda Schädler (Hg.):
Friedl Dicker-Brandeis – Werke aus der Sammlung der Universität für Angewandte Kunst Wien
Sabeth Buchmann

Denise Ferreira da Silva:
Unpayable Debt
Dietrich Heißenbüttel

Sianne Ngai:
Das Niedliche und der Gimmick
Peter Kunitzky

Carlos Reyes/Rodrigo Elgueta UND Sonja Eismann/Maya/Ingo Schöningh (Hg.):
Wir die Selk’nam UND Movements and Moments – Indigene Feminismen
Martin Reiterer

 


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