Issue 1/2023
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For a long time, the primacy of vision and the visual represented an unquestioned basic assumption in the world of art. Admittedly, there was repeated criticism of “ocularcentrism” or, more generally, of the establishment of the Western worldview on the basis of unconscious-optical coordinates. But this questioning of the priority of the visual, especially as far as broader cultural contexts were concerned, never really seemed to be consistently advanced. Rarely, too, has the fundamental receptivity that inevitably constitutes any understanding of art and culture been attempted to be traced back to a sensory basis other than that of vision. Reason enough to ask about the conditions, if not the necessity, of an “art of listening”. After all, many cultural conflicts of the present day prove that people are simply no longer listening. Social ... » read more
Net section
Vom Nichthumanen lernen
Christa Benzer
Half Duck, Half Sierra
Martin Conrads
„Gegen die Möglichkeit, der Realität einen Sinn zu geben“
Sabine Weier
Tauchgang im fluiden Anderen
Christian Höller
Maritime Texturen
Ellen Wagner
Listen
Wenn Brunnen sich blutrot färben
Zusammengestellt und bearbeitet von Hannah Jacobi
tones for summoning UND red status alert
Eine Kollaboration von Natascha Sadr Haghighian und Shirin Mohammad
„Emanzipatorisches Hören ist nicht individuell, sondern kollektiv“
Nina Sun Eidsheim
para-listening (2018–2023)
Ricarda Denzer
Die Politik der Schwingung
Marcus Boon
Wer hat Angst vor Klang?
Salomé Voegelin
Kunst des Zuhörens
Pascal Jurt
Methoden der Unterwanderung von Kunst und Kultur in Putins Russland
Keti Chukhrov
Artscribe
Max L. Feldman
Rosemarie Trockel
Patricia Grzonka
Heinrich Dunst sink UND on affairs
Rahma Khazam
Anna Jermolaewa – Number Two
Milena Dimitrova
16. Lyon Biennale: Manifesto of Fragility
Hedwig Saxenhuber
Kudzanai Chiurai/Frida Orupabo/Eric Magassa - FLIGHT
Simona Dumitriu
Je Veux, Vienna 1975–2022
Christian Egger
Sanja Ivekovic. Works of Heart (1974–2022)
Ada Karlbauer
TOGETHER THE PARTS – ein künstlerisch-performatives Gathering
Krassimira Kruschkova
Books
Stefanie Kitzberger/Cosima Rainer/Linda Schädler (Hg.):
Friedl Dicker-Brandeis – Werke aus der Sammlung der Universität für Angewandte Kunst Wien
Sabeth Buchmann
Denise Ferreira da Silva:
Unpayable Debt
Dietrich Heißenbüttel
Sianne Ngai:
Das Niedliche und der Gimmick
Peter Kunitzky
Carlos Reyes/Rodrigo Elgueta UND Sonja Eismann/Maya/Ingo Schöningh (Hg.):
Wir die Selk’nam UND Movements and Moments – Indigene Feminismen
Martin Reiterer